Plus ça change futurism

Rahel Aima on Gulf Futurism:

Gulf futurism, as I understand it, is conceptualised in the mould of Marinetti’s Italian futurism, and inherits many of the same touchstones. All of its seductiveness: sun, sand, and solar-sintered glassy desolation of the Arabian gulf at the extreme promontory of the millennia. All the beautiful/callous brutality, all the proto-fascism of a society that privileges success and speed over human life.

At base, Gulf futurism is “plus ça change futurism,” all wrapped up in what a friend has dubbed “flying force fields of neo-Arabness.” It’s not imagining a future so much as mapping shards of future detritus—imagery strongly defined-as-future by Western culture, as you put it—in the present. It’s an aesthetic scaffolding that reproduces all the injustices, structural degradation and racial erasures of the present.